Oil on canvas. Framed 78 x 63cms
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RAY LAWRENCE - A DRIVE IN THE COUNTRY
It was during a drive in the country, to visit his daughter in Armidale that Ray Lawrence thought it would be nice to somehow support one of the local towns he passed through on the way. “What about doing some paintings? Have a show?” was his daughter’s suggestion. This was the genesis of a new exhibition by Ray Lawrence, renowned Australian film director, opening this March at Dungog Contemporary Art Gallery. As Lawrence says, “People pass through Dungog, Walcha, Uralla and Gloucester to buy petrol, a coffee or a trinket or two. But with the cycle of drought, flood and economic downturn, it would be good to draw attention to these towns and create a show that would stir interest and support for this beautiful corner of Australia.”
Lawrence has created a series of landscapes to celebrate the natural beauty of our countryside. “I needed to imagine a story in the landscape – what happened here? The result is “A Drive in the Country” which opens at Dungog Contemporary for five weeks from March 23rd . Lawrence is best known as the award winning director of Australian films Bliss, Jindabyne and Lantana and is no stranger to Dungog with his support and screenings at previous Dungog film festivals. “I was a painter before I started making films.”
Ray studied painting at Adelaide Art School and began to make a name for himself in the world of commercial art, before moving into film and establishing one of Australia’s most successful film production companies. In the mid 1980s he made Bliss, from the breakthrough novel by Booker prize winning author Peter Carey. The film was critically acclaimed and nominated for the prestigious Cannes Palme d’or. In the following years, Lawrence forged a reputation as one of Australia’s most important Australian directors with his films Lantana and Jindabyne. Throughout his commercial and feature film work, he continued to paint portraits and has been a finalist in the Archibald and semi finalist in the Moran art prize. Lawrence’s love of landscape is a recurring theme of his films and it seems only natural that his keen eye and passion for this country has translated into this series of paintings.